Thursday, December 3, 2009

Denizen of the Darknet reviews 2012

Denizen of the Darknet Reviews 2012
by Michael Dare
 
I've never snuck into a movie theater showing a big new blockbuster with the intension of surreptitiously making a copy of it with my digital camera and offering it immediately for free to everyone on the internet, but I HAVE snuck into a movie theater showing a big new blockbuster and thought to myself "I must make it my mission in life to prevent other people from having to go through the same hideous experience I was just subjected to." Giving it away for free might be one way to do it.
 
I'd like to point out that one nanosecond after the first public showing of 2012, there were several versions available in BitTorrent.
 
And I'd like to point out that more than a month after its release, there still isn't a copy of A Serious Man, the Coen Brother's new film, available in BitTorrent. (At least so far as I know. It could be available on some limited stream the public doesn't have access to.)
 
And I'd like to make a big deal over those two facts, which I believe turn the release of BitTorrent versions of movies into an actual political statement and not just the work of "pirates" out to make a buck. (How can it be piracy if no one makes a penny? Sounds like a Robin Hood metaphor might be more apt.)
 
I put it to you that the reason A Serious Man hasn't been ripped off is because the intelligent minds behind BitTorrent actually respect the Coen Brothers and so it hasn't even occurred to them to rip them off. They would never, ever, pass around a shoddy copy of a Coen Brothers movie. They would only wait for the official DVD release so they can point with pride to their vastly superior Blue-Ray rip where you can see every wisp of smoke in the distance. The visuals are everything, man. You want to pay attention, to stop whatever it is you're doing and actually WATCH a Coen Brothers movie, and if you're giving it all your focus, you don't want to hear audience noises and see people getting up to go the bathroom from a copy shot in a multiplex that doesn't include the end credits because that's when the lights go up and the ushers appear.
 
I put it to you that 2012 was available immediately because nobody in the the vastly intelligent world of BitTorrent gives a good flying fuck about Roland Emmerich and the Hollywood money stream he represents. They show their contempt by saving you money which you can now spend on something else. There's no sense in feeling guilty because you were prevented from wasting your money. You'll just waste it on something else. No matter what, Hollywood gets your money.
 
Despite the fact that hell has called and wants my eyes back, I am grateful to the knowledgeable and generous denizens of the Darknet for saving me the bother of dragging my bones to a movie theater.
 
Here's a nice game to play. Exactly how much random money would you have to have lying around before you were willing to fork over fifteen bucks to see 2012? For me, it's about a hundred. Yeah, that's right. You'd have to pay me a hundred smackeroos before I'd go see 2012 in a movie theater. Before that point, I've got something better to do with that money. I could have a bong hit and imagine my own end of the world, where everyone is nice to each other and it drives them crazy, with hot fudge lava from the Electric Brownie Mountains flowing free into the churning Sea of Cold Stoned Creamery French Vanilla with a Jerry on top, Colonna, not Lewis, and everything is free, including food, from Foodster, the BitTorrent program that replicates food, and Drugster, the BitTorrent program that replicates drugs. Don't get me started about Sexster. No character needs an arc and no species needs an ark because there's nothing to escape from but their own lunacy and the unlimited barrels of pure pleasure available for free. The world falls apart because people stop believing in fairies. Nothing makes any sense. Ducks bark, dogs quack, and everyone wears hemp underwear. They got it wrong. It's just a bunch of random things happening. Entropy. That's how the world ends.
 
MD
 
"There is no abstract art. You must always start with something. Afterward you can remove all traces of reality."
- Pablo Picasso -
 
 

Monday, November 30, 2009

Modern DNRs

 
 
 
 

Monday, November 23, 2009

My Debates with Stephen Colbert

Stephen Colbert is having a contest where he invites you to download a bunch of clips of him and to cut yourself into the footage. The winner gets to actually appear on the Colbert Report. I submitted four videos and miraculously, three of them are currently being featured on the front page of the contest. Don't know how long they'll last. Please go to the link below and give me a thumbs up. You want me to be on the Colbert Report, don't you?
 
 
MD

Saturday, November 14, 2009

Funny, I thought it would have been Prison Break

According to an officer in David Miller's documentary "In Guantanamo," the favorite TV show of all the prisoners is the Discovery Channel's "World's Deadliest Catch."

Thursday, November 12, 2009

Hilarious bit from "Seth & Alex's Almost Live Comedy Show"

I nominate the Cowardly Lion auditioning for United 93 as the funniest comedy bit of all time.
 

Job opportunity of the week

Grateful Dead Archivist

Institution: University of California, Santa Cruz
Location: Santa Cruz, CA
Category:
  • Admin - Libraries
Posted: 11/06/2009
Application Due: Open Until Filled
Type: Full Time
Salary: $52,860 to $68,892 USD Per Year
UNIVERSITY OF CALIFORNIA, SANTA CRUZ

Grateful Dead Archivist

The University Library of the University of California, Santa Cruz, seeks an enterprising, creative, and service-oriented archivist to join the staff of Special Collections & Archives (SC&A) as Archivist for the Grateful Dead Archive. This is a potential career status position. The Archivist will be part of a dynamic, collegial, and highly motivated department dedicated to building, preserving, promoting, and providing maximum access both physically and virtually to one of the Library's most exciting and unique collections, The Grateful Dead Archive (GDA). The UCSC University Library utilizes innovative approaches to allow the discovery, use, management, and sharing of information in support of research, teaching, and learning.

Under the general direction of the Head of Special Collections and Archives, the GDA Archivist will provide managerial and curatorial oversight of the Grateful Dead Archive, plan for and oversee the physical and digital processing of Archives related material, and promote the GDA to the public and facilitate its use by scholars, fans, and students.

MINIMUM Qualifications:
* Master's degree from an ALA-accredited program or equivalent accredited graduate archives management program.
* Significant, demonstrated experience working with books, manuscripts, photographs, recordings, or other material in a special collections & archives environment.
* Knowledge of the access tools for special collections and archival material and the standards and procedures for their preservation and conservation.
* Demonstrated experience developing processing plans and creating finding aids in accordance with national standards.
* Knowledge of and ability to maintain awareness of developments in archival processing, digital information technologies, and their uses in special collections and archives.
* Expert knowledge in the history and scholarship of contemporary popular music, or American vernacular culture, preferably the history and influence of the Grateful Dead.
* Excellent analytical, organizational, and time management skills.
* Demonstrated oral, written and interpersonal communication skills sufficient to promote and present the archive to multiple audiences.
* Prior experience directing the work of others.

Strongly Preferred Qualifications:
* Demonstrated experience working in public services in an academic environment.
* Demonstrated experience working on outreach and other donor related activities.
 

Sunday, November 8, 2009

Be a New Yorker cartoonist

The New Yorker's having a great online contest where they supply you with all the elements you need to create a cartoon that takes place on a talk show. First prize is a trip to NY. Below, one of my sick loser entries...
 
 
http://media.newyorker.com/NYR/contest/cartoonkit/entry/623cc389-9748-b952-1249-c72681f1d121_o.jpg